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Deborah
Resto - Sultry Latin Cool
By Ben Ohmart, MusicDish.com
The
sultry rhythm that claims the beginning - and hell, the whole song
- of the Latin pop song, "Let
Him Hear My Heart" may remind you of a Toni Braxton excursion,
but it is something more complex. Soul sister Deborah
Resto entrances you in a romantic mood that, like a good
opium den, does not want to let you go. Smoke gets in your eyes,
but so does the choppy syncopation when mixed with its slow dance
bewitchment.
MP3:
"Let
Him Hear My Heart"
If
Deborah doesn't become a major singer, it isn't from lack of talent
or production or eclat. The title song single is as perfect a song
for falling in love as anything you're likely to find on radio today
or in historical context. It really is that good. Meanwhile, the
album it comes from gives a great overview of her hybrid technique.
When
she asks you to dance in "Chevere,"
how can you possibly say no to that candy-coated voice? The sweet
lilting percussion gives it such a pleasing tropical flavor. You
almost expect raindrops to accent the sax and soft keyboard sound.
The similar sax of sexy "Moments"
tells that this is an album for lovers and no one else. "Lejos"
gets wilder, bringing in more of a "typical" Latin sound with heavier
brass section and backup vocals, as it mixes samba in a quicker
mix. On this one she shows off the strength of her pipes, and proves
she's not just a ballad diva.
MP3:
"Chevere"
Deborah
admits, "My album to a virgin ear, I would say, is that there is
something in it for everybody. There is something in it for the
jazz ear, pop ear, salsa ear and love song-romantic ear."
That's
an understatement. While she does rely mostly on synthetic backing,
the adult contemporary music shows through, most notably on tracks
like the Spanish version of "What
a Difference a Day Makes," mainly due to the plethora of influences
that surround her. "My current and past influences are varied as
well. I believe that as a composer, you have to be open to everything
so that your ideas can serve the universe, if at all possible. I
have, however, been influenced very much by romantic singers from
Streisand to Myrta Silva to Cheo Feliciano, Whitney Houston, artists
who mix their sounds such as Sade."
No
two of Resto's songs have the same sound. "Can I Be the One," sung
in Spanish, is voiced in shadows, enveloped in a slight echo effect
that is most charming and heartbreaking. But however you describe
the variations, all of Deborah's hard work pays off.
MP3:
"Moments"
"The
album has been several years in the making," she says, "It really
is a history of a Latina woman struggling with her identity to satisfy
record companies who are notorious for needing to pigeon hole you.
"Anytime
you don't fit the norm, it is a struggle. I actually could have
fit the category of hip-hop salsa, straight jazz or pop, but I wasn't
feeling the culture side of it. I particularly am not feeling how
women are denigrating themselves for attention in the commercial
field. I do like the music and the money they are making."
MP3:
"Lejos"
Right
now she is finding herself and her audience. "I am looking forward
to touring. Most of the tunes are originals. I try to be real, ninety
eight percent of the time, even if it might hurt someone."
The
new disc, on sale at a good price on www.latincool.com,
is her #1 objective these days. She's putting together a solid group
of rave reviews while gettin' her party on. "The CD hasn't been
out long, and has been doing well within this short amount of time.
I am a very strong performer. I am very sensitive to what the audience
is feeling and don't sing just to do a job, make some money and
get home. I really try to leave having given and experienced a lot
of flavor and intimate exchange from la tarima.
MP3:
"What
a Difference a Day makes"
"Many
of the songs are autobiographical, or paintings of scenes or situations
I or friends of mine may have experienced. 'Chevere',
for example, has to do with a non-Hispanic guy and a Hispanic woman
not speaking each other's language, but when they kissed the language
was well understood."
What's
in store for tomorrow? "My plans for the future depends, I guess,
on how well things go with my recordings. I want to continue writing,
recording and painting life through songs. I'd also like to write
for other artists as well as theme songs for movies."
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