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Indie
2003: Why Most Demo Recordings Are Rejected
By Christopher Knab, MusicDish.com
"Getting
a deal" has long been the goal of many would-be artists and bands.
For mostly naive reasons, most new talent feel that by securing
a recording contract with a significant major or independent label,
success will be guaranteed. (Talk about naiveté) To get this
'belief system' up and running, many musicians figure all they have
to do is send off their music to a label, and a recording contract
will come their way shortly.
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The following
list of 10 Reasons Why Demo Are Rejected was gathered together
after years of listening to comments made by Record Label A&R reps
at music industry conferences and workshops, as well as from personal
interviews with reps, and from many interviews A&R reps have given
to the press. In addition, I can verify that these observations as
true from having personally listened to thousands of demos over the
years.
The
purpose of providing you with this information is to at least improve
the odds that your music will get listened to when you submit your
demos. This list will look at the most common mistakes musicians
make when either shopping for a record deal, or trying to get the
attention of A&R Reps with their demo recordings.
10
Reasons Why Demos Are Rejected
1.
No Contact Information on CDR and/or CDR container: put your
name, address, email, and phone number on both.
2.
Lack of Originality: Just because you can record, doesn't mean
your music is worth recording.
3.
The Music Is Good, But The Artist Doesn't Play Live This applies
to all genres of music except electronica and experimental music.
4.
Poorly Recorded Material: So you bought ProTools ... so what!
5.
Best songs are not identified or highlighted on the CDR: Give
the folks a break. For demos-send only 3 or 4 songs and highlight
the best ones.
6.
Sending Videos In Place Of CDRs: Keep it simple, in the demo
mode. All anyone wants is to check out your songwriting and musicianship.
7.
Sending Unsolicited Recordings: You sent them, but they never
asked for them.
8.
Sending The Wrong Music To The Wrong Label: You didn't do your
research to find out what labels put out what kind of music.
9.
Musicians Can't Play Their Instruments Competently: This is
so basic, but you would be astounded at how incompetent most start-up
musicians are.
10.
The Music Sucks: This criticism is as old as music itself.
You may think your music is the greatest thing since frappacinos,
but most demo recordings the industry receives are as bad as the
first round contestants on American Idol.
Provided
by the MusicDish
Network. Copyright © Tag
It 2003 - Republished with Permission

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