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Musings
In Cb: MP3.com - We Made History! Well, it is official: "THE destination for digital music," and the world's leading Online MP3 Music Distribution site will cease to exist on Tuesday, December 2, 2003 at 12:00 PM PST. Members were officially informed by direct email correspondence, and also via a post to the moderator section of its message board, that the MP3.com, Incorporated website will no longer be accessible in its current form. The Announcement CNET Networks, Inc. announced on November 13, 2003 that it has acquired certain assets of MP3.com, Inc. Following a transition period, CNET Networks, Inc. plans to introduce new and enhanced artist services.
MP3.com advised artists and members to update or remove all links and references to the URL www.mp3.com. Additionally if you would like a historical record of your page, we recommend that you capture screen shots of the page as well as your artist statistics pages since they will no longer be available once the site goes offline. [Click Here for the full-sized actual Screen Capture of Cb's MP3.com Artist Page from November 14, 2003] Change Is Usually a Good Thing Many readers and visitors to my official website already know that I have been an active supporter regarding most aspects of online music distribution for a bit over 4 years now. This column is also in that category. Even though I manage the schedule of a full-time musician by profession, I believe it important to learn about this aspect of promoting my music and recordings. I have not been disappointed in terms of what I have continued to learn regarding the real potential of the Internet and World Wide Web as a viable platform. So, this particular change and the fact that my favorite MP3 site will soon no longer exist is not as disappointing for me as it may be for some. Change is usually a good thing. Jazz musicians generally understand the necessity for change. I think that MP3.com was the pioneer in this field and started something great. Just as the Ford Company started mass production of the automobile. We have moved on from the Model-T and we independent artists will successfully move on after MP3.com. The success of the new subscription service models for music downloads made it clear that the days of sites like MP3.com were numbered. Especially when entities such as iTunes and Rhapsody initiated a means for independent products to be included on such services via defacto label conduits like The Orchard and CD Baby. The MP3.com Technology Was Cool Despite the end of their P4P (Payback for Playback - artist royalty payment promotion), the main reason that I doggedly stayed with MP3.com was because of the supposed potential outside visitor traffic, overall quality of their jazz artist catalogue, and the size of the place. They also publicly tracked the number of plays - actually good stuff for PR Kit data because it showed that someone was actually listening to my music. I had also become a somewhat established artist presence within the community there, and the nature of my music seemed more suited to such a diverse potential visitor population that the site attracted for me. The interactive tools on the site such as the ability to make a Streaming Radio Station Playlist of music from most any of the world-class jazz artists on the site was great too. No traditional radio Program Directors or DJ tastes to contend with. Anyone from anywhere on the planet could make and listen to a mix of tracks that they wanted to hear and share. As relatively yet unknown, but serious jazz artists, the context of having ones music available to the marketplace and listening public in such an unencumbered way was liberating for many of us who had music there. Think about it, where else could I easily have my music online with other fellow independent jazz artists, along with other jazz artists who are better known than I am. Names like: Marsalis Family, Robin Eubanks, Oliver Lake, Erica Lindsay, George Benson, Ahmad Alaadeen, George Colligan, Phil Davis, and many other of this caliber may not mean anything to the average person - BUT, in the jazz world we know who these cats are. Many of these world-class artists actually heard and commented on my music from my having it available on MP3.com; and, I have even corresponded with several of them because of it - such is practical networking that would not have occurred otherwise. So, there has been some benefit. I even got a recent Maynard Ferguson gig because the contractor heard of me by recommendation, then actually found me online at MP3.com to listen before officially hiring my quartet. Open Letter To MP3.com Upon announcement of this news, the message boards at MP3.com were very busy with various comments about the situation. As you can probably imagine, the messages and notes varied greatly from G to triple X rating, while including most emotions imaginable. Hey, it's the Internet - remember? So, I posted the letter below to the Moderator section of the site as my personal farewell and thanks to the people who made MP3.com work for us for so long. Here is my letter...
That is the end of my letter and also the end of my official associations with MP3.com. With that duly noted, I sincerely believe that the most promise is still ahead of us with regard to online music. Conclusion Realistically speaking, most artists who had been involved with OMD for any time period knew that it was only a matter of time before MP3.com was gone. The technology and model for delivering music online has changed. When MP3.com started, most musicians did not have their own websites and their templates really helped. Today, most professionally done websites make an MP3.com page look silly, while also being more secure using Flash delivery while simultaneously storing the artists' content away from the clutches of the music industry nemesis - those dreaded download pirates. It was time for change. But hey, MP3.com - We Made History!
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