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So
Good They Named It Kava Kava
By Ben Ohmart, MusicDish.com
Everyone
wants to split a genre; take elements of country, ragtime and ska
and create a new word for what they're doing. Well, when it comes
to a world's record in how many elements you can put together to
form a new sound, Kava Kava may have the Guinness book sealed
up.
Their
new 70 minute album Maui may not emit sounds of a tropical nature,
but when it comes to creating a heavenly playground you want to
lose your tie in, Maui
is the obvious vacation spot.
Don't
let the 'Intro' fool you. Once you get passed a few moments
of that minimalist soundscape, you're into a groove that refuses
to stop. They call it space funk - a blend of beats, electronica,
bass, guitars, and the occasional string section. Interestingly
and arrestingly, there are non-pulsating pauses in the score that
might infuriate club owners, but when the beat stops for a dramatic
moment in 'Space People,' it helps pump this way above disco
influences. It also makes the track grind better when the rhythm
steps back in; more exciting than a Britney Spears retread.
Not
surprisingly (or surprisingly), Kava Kava, originally a 4-piece
experimental live psychedelic unit with hard George Clinton
influences, hails from the UK (Yorkshire). Pat Fulgoni fronts
as the soulful voice, keyboards and trumpet, backed up by Matt
Bond on guitars, Jason Riley on bass and "electronica,"
and Mick Reed on plenty of rhythm. Having a grooving lead
singer who also runs a booking agency and a delicious Chocolate
Fireguard record label helps fill up the odd gap in an already
full calendar. Clubs and festivals are funked from France, Holland,
Belgium, Hungary, Switzerland and the Czech Republic to Austria,
Germany, Poland and Italy, where they already drive too fast without
Kava Kava in the tape player.
Says
Pat: "The more gigs we do in other countries, the more Kava Kava
meanings we come across! For instance, the band has been playing
the Czech Republic for years and 'Kava Kava' means 'Coffee Coffee'
over there (can be a bit confusing when you're trying to find the
venue!!). We once had an order from the Estonian Ambassador based
in Stockholm, Sweden who bought the album because the band's name
translated as 'schedule schedule!?' Kava Kava is also a legal high
from Papua New Guinea, a member of the pepper family, in fact. I've
heard of footage where Queen Elizabeth has been given a Kava Kava
brew!!!"
Thank
God music is universal and accepted like Visa. The critics know
the credit's good on the latest album. DJ Mag says it "should
be on every funk and disco playlist, period!" M8 writes that
it's "essential summer listening." Blues and Soul goes one
better: ".....(the) inspired songwriting and impeccable production
of Maui is a jaw-dropping phenomenon."
And
it is. Especially when you consider where the birth took place.
"We've been chipping away at it for a few years now, recording it
in the bedroom and then mixing it down in a professional studio.
Live performances have certainly helped shape the songs."
A
few of the tracks have interesting personality origins themselves.
"'Sicfuck' was helped shaped by a rather scary session musician
who must, for the band's safety, remain nameless. 'Terrorists'
was originally written just before the September 11th tragedy. 'Funked
Up and Freaked Out' is a case of 'eat shit jazz snob.' 'Space
People' was mixed the day George Harrison died."
For
influences - a key to their heavy turnover of sounds - they go for
everything from AC/DC to Daft Punk, Gil Scott Heron,
Marvin Gaye to Can and Basement Jaxx. Needless to
say their fan base is about as diverse as the "average" Beatles
fan. "You get rockers turning up alongside trip hoppers and lovers
of house music! I've always been really surprised by the range of
people who get into Kava Kava. We have played a lot of live 'funk'
club nights, so there's been a few conversions with that kind of
audience as well as some hardened festival heads from the odd set
at Glastonbury and the various other music festivals we've played."
When
they first began, there were some covers thrown in with the original
mixes; songs like Living Colour's "Type Out" and Hendrix's
"Freedom." But these days it's all originals. "Generally
on stage we are a live 6 piece funk outfit: typically vocals, keys,
guitar, drums, bass, brass section, but synced up to the samplers
and beats. It really comes alive at gigs."
Still,
for those of us who still see Europe as a world away, we have to
rely on those little CD things. "I'm compiling the next Chocolate
Fireguard compilation. This next one is called 'Interesting Flavours'
and has two Kava Kava tracks on it: 'Tic' and an instrumental
cop show style remix of 'Bank Job.' It's also got some tracks
from Freddy Fresh, The Bluefoot Project, Bentley
Rhythm Ace, "Ca (la cedille)" Awayteam and some amazing
hip hop from South Africa c/o Godessa and Moodphase5ive.
There's been the odd Kava Kava track on a few compilations in Eastern
Europe and also the 'Taster Sounds From The Funky Underground'
compilation series (also Chocolate Fireguard).
"The
title track 'Maui' has found its way onto IRMA's 'Chill
Out' compilation over in Italy. I'm convinced this particular
track could be used for a soundtrack somewhere! We would love to
be on a few more compilations and we're are also putting together
some new tracks, so watch this space........"
Luckily
the US isn't out of reach yet. They're planning for an official release
for Maui over here, as well as some gig-playing time in New York and
the Bay Area. "I was in the States last year and thought it would
be really exciting to play out there. Would love to get to Japan,
too. Recordings-wise, a nice studio and PR budget would be just the
ticket!"
Meantime,
they've got plenty of dates cooking in the UK. "But I'm really looking
forward to playing Czech Republic, Hungary and Spain in the very
near future."
Provided
by the MusicDish
Network. Copyright © Tag
It 2004 - Republished with Permission

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