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MUSICDISH
REVIEWS
Granian - Live Sessions
Sue Tucker - May I Come In
Puerto Muerto - Elena
ATM - A Toda Maquina
Artist: Granian (www.granian.com)
Title: Live Sessions
Label: SG Records
Genre: Acoustic Guitar Pop
Review By: Ben Ohmart
You've heard their emotional songs on Dawson's Creek and Strong
Medicine. Live Sessions is the 3rd album from Granian, which Spin
magazine called the best unsigned band of 1997. But this is Garen
Gueyikian's solo album, with naked tunes dressed just with voice
and acoustic guitar. Funny how more powerful that sound becomes,
more than an orchestra's worth of hard-jamming electric guitars.
Though the songs are at once aggressive, each one is more like a
consolidated personality. Something that changes with time or instantly,
moody and pleasant, unsure and laughing, something that cannot be
charted, except after the fact.
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They were
recorded in front of 30 fans in Water Music studio in Hoboken. So
you're not going to get that crappy 'live' sound, but you do get the
unedited, first-hand quality that makes up the dynamics of such a
happening. Very raw, real and thoughtful stuff.
Take
the opening words of 'Contagious':
she's
like a drug when you're addicted to love
she's that elusive answer that you can't think of
slowly pulling you in, it's like she's been sent from up above
she's like a pill, you get your fill but then you still need more
she's all up in your face in such a way you can't ignore her
like falling down
maybe this will be good
It
is a masterwork of musical head games, this album.
Artist: Sue Tucker (www.suetucker.com)
Title: May I Come In
Genre: Jazz/Vocals
Review By: MuzikMan
The
last time I heard Sue Tucker sing I was impressed. That was in 2001.
In 2003 on her new release May I Come In, she picks up where
she left off and continues to sing with inspiration and heart. The
woman sings a jazz tune with great enthusiasm and has a deep respect
for all the great divas that have come before her. With help from
her brother Dick Oatts (woodwinds) and brother-in-law John Mosca
(trombone) and several other top-flight professionals, Tucker dances
and sings her way through a set of standards and not so standard
tunes along with a few originals as if it were a walk in the park.
Her voice is so sweet and endearing; it reminded me of the way Ella
Fitzgerald always sends me straight to heaven.
Sue
Tucker has a mountain of talent and does a beautiful job with tunes
created by other composers. I do feel her level of talent is very
high, good enough that an entire album of originals would be a great
success for her. I hope the next time she cuts an album this will
become a reality.
The
most impressive aspect of this woman's talents is the way she makes
her voice an instrument that is able to blend with the music. That
God given gift is precious to any vocalist. In this particular style
of music, it serves as her greatest benefit in making each individual
song a treasure for your listening pleasure. This CD could be "The
Best Thing For You" if you have not relaxed and got into a smooth
jazz groove in some time. Let Sue Tucker will show you the way.
I know because this gentleman is no dope, I know when I hear great
jazz and this CD swings.
Artist: Puerto Muerto
Title: Elena
Label: Fire Records (www.firerecords.com)
Genre: Oompa, Eastern Indian, Dub and Chanson
Review By: Holly Day
Husband-and-wife
team Christa Meyer and Tim Kelley have created something truly incredible
here. On one hand, it's a eerie and creepy concept album about a
beautiful girl, Elena, whose father falls in love with her and runs
off with her and, I think, fathers another child with her-or at
least that's what I'm picking up from the lyrics. I could be wrong
with that part, because there are several references in others songs
about Elena's mother being upset because she knew her husband would
run off with their daughter since the day she was born.
On
the other hand, this album is a stellar feat of musical talent that
forays into stark, cold industrial beats, gentle folksy-sounding
ballads sung in German, sweeping Mediterranean rhythms and tonal
structures, and just plain lovely, near-a capella choruses sung
in multiples by Meyer. The closest comparison I can come to is to
imagine that The Residents went to Turkey and were heavily influenced
by both the traditional musicians and the fabulous DJs based there,
and came back and wrote an album about child abuse from the point
of view of the deluded and pampered child. It's just a fantastic
record, and I just hope there are more to come from these two.
Artist: ATM
Title: A Toda Maquina
Label: Univision Music (www.univisionmusic.com)
Genre: Latin
Review By: Ben Ohmart
ATM
= A Toda Maquina = All That Music. Founded by David Elizondo (Kidd
Cumbia) this quintet surfs toward the more exotic Latin sound, forsaking
horns and multi-rhythms for a power pop, hip hop Mexican combo,
which puts this music at the edge of what's going on Now rather
than what was built Then. The accordion weaved into the mix brings
on world flavor, while the vocal harmonics make sure all the ladies
sit up and take notice.
Says
lead vocalist Chelo Mejias, 'There's traditional "cumbia" but new
components like rap, reggae and a little bit of each one of us is
intertwined to generate the sound that defines our band's style.'
That style has been pulled from Austin, Texas, Miami, and Puerto
Rico, giving the tunes a distinctly American feel, with roots more
than definitely like Spanish R&B.
One
such perfect blend is the cover of Air Supply's classic 'All Out
of Love,' which has actually been softened even more. Crashing drums
within the chorus, urgent Spanish lyrics uttered with the passion
of a man leaving for war - oh yeah, it works perfectly.
The
energy level on A Toda Maquina may not be high, but that's not what
ATM are pushing. They're saying, like a good relationship, sometimes
you have to go slow.
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It 2003 - Republished with Permission

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