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INDIE
NEWS BEAT
Week of February 27, 2004
*
What's Happening At South by Southwest Music Festival and Conference
- GoGirlsMusic.com Prepares To Invade SXSW
- Irish Acts Set to Thrill at SXSW
- SXSW 2004 British Showcase
* New MyDoom Strain Targets RIAA
* MusicDish Network Unveils Major Site Update
* The Robin Hood Of Unsigned Music
* Gritz Magazine Celebrates 5th Anniversary
* NCIAA Targets Indie Artist & Label Companies
* Bob Mayo Passes...Frampton Cancels Tour
* Danger Mouse Responds To Controversial 'Grey Tuesday'
GoGirlsMusic.com
Prepares To Invade SXSW
GoGirlsMusic.com,
the oldest and most popular website for women in music, will continue
their tradition of highlighting the best in independent women musicians
at its 4th Annual "Invasion of the GoGirls," taking place March
18-20 during the annual South by Southwest (SXSW) music festival
and conference.
The
five "unofficial" showcase invasions that weekend will feature over
40 bands and performers in total. "We worked very hard to create
a lineup that was stylistically exciting yet appealing to a diverse
crowd," explains Madalyn Sklar, founder of GoGirlsMusic.com. "We
fully expect to see an electrifying blend of industry people, musicians
and the general public at our event," continues Sklar.
Irish
Acts Set to Thrill at SXSW
Major
breakthroughs in the US for The Thrills, Damien Rice (US Shortlist
Music Prize 2003), The Frames and Gemma Hayes (UK Mercury Prize
Nominee 2002) has firmly put Ireland in the spotlight as the source
of some of the best international newcomers.
To
help raise the profile of the Irish artists attending The Irish
Music Rights Organisation (IMRO) will present an Irish Showcase
at Maggie Mae's on Austin's famous 6th Street, on Thursday 18th
March. The showcase will feature some of Ireland's finest emerging
songwriting and performing artists: Bellx1, Turn, Stars of the City,
David Hopkins, Mixtwitch.
"The
last twelve months have been really exceptional for Irish artists
internationally, and justifiably so given the current creative output
and confidence levels amongst many of the acts coming through at
the moment", stated Adrian Gaffney, Chief Executive IMRO, following
the announcement of the Irish Showcase this week.
B.P.I.
Announces Stellar Lineup For SXSW 2004 British Showcase
The
third annual British Phonographic Industry (BPI) U.K. showcase at
this year's South By Southwest music festival in Austin, Texas,
boasts its strongest lineup to date. The Thursday, March 18, bill
at the Fox & Hound (401 Guadalupe in Austin) will feature The Cooper
Temple Clause, Athlete, The Futureheads and Dogs Die In Hot Cars
plus two unsigned acts, Thirteen Senses and Earth The Californian
Love Dream. The main showcase will be preceded by a mid-afternoon
acoustic showcase at Brush Square (East 5th Street and Neches, adjacent
to Austin Convention Centre) hosted by BPI, BBC Radio 2 and BBC
6 Music with performances from Jamie Cullum, Tom McRae and Aqualung.
The
annual British night at SXSW provides exposure for up-and-coming
British talent at the industry convention. The event is hosted by
the U.K. record industry group BPI, who partnered for 2004 with
Phonographic Performance Ltd, British Underground, US booking agency
Little Big Man Booking and UK promoters Metropolis, with support
from U.K. Trade & Investment.
New
MyDoom Strain Targets Record Industry Group RIAA
Global
Hauri assigned a medium risk to a new, fast spreading variant of
MyDoom, a.k.a. MyDoomf. The new variant of the MyDoom worm is spreading
through e-mail attachments and P2P file-sharing networks it randomly
changes senders' ("spoofs") names and modifies the registry of infected
computers. The new worm is designed to perform a DoS attack, this
time targeting the Recording Industry Association of America www.RIAA.com.
MyDoom.f,
a direct code copy of a previous MyDoom variant, shows up as a short
message with an attached file that pretends to be a Zip archive.
It is a destructive worm with its own SMTP engine and spreads via
email by mailing itself to addresses found on the victim's machine.
"Despite
the recent wave of viruses, email users still like to trust emails
they apparently receive from a friend or colleague. We recommend
users taking the habit of writing very precise subject lines. That
makes it easier to distinguish between virus mails and real mails
and also avoids deleting good email," said Global Hauri's CEO, Mr.
Eric Kwon. "Just make sure your antivirus solution is updated with
the latest definitions and set to repair automatically, then this
'My.Doom' should not be a problem."
MusicDish
Network Unveils Major Site Update
The
MusicDish Network unveiled a major update to the web music portal
reflecting its growth and evolution over the past months. The portal
will increasingly serve as a showcase for its artists as well as
other music-related programming, while providing webmasters and
owners with more web programming for them to publish on their sites.
"While
we've been focused on getting our artists attention through our
network of affiliate sites, we felt it was time to leverage more
agressively the MusicDish brand name to make fans and industry members
aware of the great music being created right here within the independent
music community," said MusicDish founder & editor Eric de Fontenay.
"The changes will also emphasize the unique platform we've created
by better acting as a bridge between the music community and our
over 200 affiliate members."
The
Robin Hood Of Unsigned Music
IndieJukeBox.com
readies to launch in March 2004 giving the unsigned music scene
a shot in the arm. The company is out to prove that pay per play
should mean the artist is getting paid and the music fans can enjoy
new music without paying a fee.
The
sole purpose of IndieJukeBox.com is to give money back to the unsigned
artist and place a value on their work. The target market covers
unsigned artists/bands, fans of unsigned music and anyone else interested
in hearing great music they probably won't hear on the radio or
see on music television. After three years of planning the website
is finally a reality and bands are lining up to be included because
they don't spend a dime and the potential is they will make money
every time their song gets played.
Gritz
Magazine Celebrates 5th Anniversary
February
marks the 5th anniversary of the founding of Gritz magazine. Gritz
is the invention of musician/journalist Michael Buffalo Smith and
started as an online music magazine in 1999. When the website grew
by leaps and bounds, averaging 700,000-plus hit a month, it was
decided to turn it into a print magazine three years later. The
result is a nationally distributed print publication that is also
sold in England and Germany.
Over
the years Gritz has expanded from a predominately southern rock
magazine to also focus on other musical genres such as bluegrass,
the blues, jam band, cowboy/western, and other forms of Americana
music. Recent covers have featured Billy Joe Shaver, Lynyrd Skynyrd,
Bonnie Bramlett, and Del McCoury. The print version of Gritz got
off to a big start with an extensive and exclusive interview with
the legendary producer Tom Dowd. It was to be his last interview
as Dowd died soon after. And, legendary musician Charlie Daniels
writes a column in each edition.
NCIAA
Targets Indie Artist & Label Companies By Invitaition Only!
Trakheadz.com,
the first music provider to offer online and offline music promotion
for the Independent music artists and labels, and the National Club
Industry Association, representing Professional Club Dj's venues
and talent brokers everywhere, announced last week that they have
joined forces and formed an exclusive partnership.
This
new relationship will level the playing field for Independent Labels
and Artists by providing a valuable outlet to promote their music
and achieve mainstream success. By putting the power of music back
in the hands of the DJ's.
What
people don't realize is that there are really "two music industries".
The first consist of mainstream artists who are plugged into those
critical avenues of promotion such as, mainstream radio stations,
MTV, BET, etc. - that often guarantees mainstream success. The second
is based underground‹ which typically consist of independent recording
artists, underground radio stations, clubs, etc. These artists tend
to utilize grass roots methods such as street teams, mix-tapes,
the Internet, or simply 'good ole' fashion" word of mouth to promote
their music."
Based
on that premise, one can logically conclude that this dynamic essentially
locks independent artists out, and subsequently prevents them from
getting their music into those traditional avenues of promotion.
For some independent artists, getting their music on the radio has
proven to be an impossible task. However, together with the NCIAA
our unique system will bridge the gap between the underground and
the mainstream music industries, by providing a direct link between
independent artists and those who are mainly responsible for getting
music heard, the professional DJ.
Bob
Mayo Passes...Frampton Cancels Tour
Bob
Mayo passed away suddenly of a heart attack on February 23 at 4:00pm
in Basel, Switzerland. Mayo, born in New York in 1951, was on tour
with Peter Frampton who had just launched a concert tour of Europe.
Bob
Mayo's work is known and loved the world over for taste, style and
presence as a professional keyboardist, guitarist, vocalist, producer,
and songwriter with international acts. Mayo performed with several
bands in the 1960s before meeting Frampton. They toured the U.S.
and Canada, recording the shows that resulted in 1976 "Frampton
Comes Alive!" Following a brief break from touring, during which
time he focused primarily on session work, Mayo later toured with
Foreigner, Aerosmith and Robert Plant. In the spring of 1988, Mayo
hooked up with old friends Mark Rivera and Tom T-Bone Wolk, performing
with Darryl Hall and John Oates. Bob rejoined with Peter Frampton
in 1992 for what was meant to be an eight-week tour. This turned
into seven months on the road and a renewed personal and professional
relationship. "Frampton Comes Alive 2" was released in 1995 with
the DVD and CD "Live in Detroit" following in 1999. Most recently
Mayo played on Peter Frampton's new CD, "Now."
Danger
Mouse Responds To Controversial 'Grey Tuesday'
Originally
intended to be a musical experiment, Danger Mouse's Grey Album now
seems placed in the middle of a brewing showdown between music activists
and major music corporations.
Danger
Mouse's Grey Album uses the full vocal content of Jay-Z's Black
Album, recorded over new beats and production created using the
Beatles White Album as the sole source material. Danger Mouse explains
that "all the music on the Grey Album can be traced back to the
White Album. Every single kick, snare, and chord is taken from
the original Beatles recording." The resulting record, being touted
by music critics as one of the best remix records in the history
of the genre, is a unique hybrid of work from one of hip-hop's fastest
rising stars. Downhill Battle, a music activism group, has organized
Grey Tuesday (greytuesday.org), as a "day of coordinated civil disobedience"
to protest EMI's cease-and-desist order against the Grey Album as
well as a broader protest against major labels attempt to "control
what musicians can create by limiting their use of samples." Hundreds
of websites are expected to participate.
Provided
by the MusicDish
Network. Copyright © Tag
It 2004 - Republished with Permission

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